The beauty of having a working studio in the world renown Santa Fe Plaza is the mixture of spiritual cultures that meld. Sometimes my paintings and diaries bring in the more orthodox ministers to “debate” my experiences and studies and realize very quickly that my whole spiritual upbringing was from deep in the heart of their own fundamentalist system and mindset.
After one such debate, I was left with the comment “At least we agree on one thing - that good will triumph over evil in the end.” I was struck by the fact that this is the underlying wedge that has caused such violence in the world. This being that the universe actually follows the mythology of the ancient Zoroastrians in that it is made up of two warring forces doing battle - with human souls the coveted prize.
Any clear minded reading of the Biblical texts make one thing painfully obvious, it was written based upon the beliefs of the day, from observational evidence, that the earth was flat and stationary, that the sun and stars were tiny objects in the sky that rotated around the earth, and could fall to the ground, and that heaven was an actual place just above the clouds where the gods or God lived. There are over 100 verses in the Bible clearly supporting this. Yet so many still believe it was written or inspired by an all knowing deity.
In truth, the universe is some 14 billion light years across and still expanding, there are gazillions of gallaxies with gajillions of stars, and still expanding. There is no such thing as forces of good and evil doing battle over the human souls of little earth. There is no such literal force as good or evil. Good and Evil are purely subjective terms used by one group to alienate another. The speaker is always good, the perceived threat to the comfort of the speaker is always evil. Was Adolf Hitler evil - not to Adolf Hitler nor would he have been to the German Protestant leader Martin Luther, whose ideas and convictions about Jews in his book “Of Jews and Their Lies” was the underpinnings of the Nazi uprising. Always remember - one man’s terrorist is another man’s freedom fighter.
Instead of good and evil, we experience order and chaos - opposing forces that work together to manifest evolution, physically and spiritually. No great change comes without the disruptive influence of a powerful counterforce to trigger it. A supernova, environmental changes, relationship changes, health changes - everything that sparks metamorphosis is painful - therein lies the seeds of evolution. In “The Affair of Dawn and Dusk” we see the two forces sharing both light and dark attributes as they hover around the old world view of a flat and finite universe surrounded by waters.
The earth however is the globe shape we know today with Africa facing forward.
It is Africa, cradle of humanity, that is in dire need and is the clarion call to the rest of the world to evolve the nature of humanity. The upper right box displays the old theological mindset of a tiny cosmos. The falling leaves come from Revelations where it is said that in end times the earth will tremble so much on its foundation that it will literally shake the stars loose from heaven and they will fall down to the earth like fig leaves from a tree shaken by a mighty wind.
The cap on the head of Dusk represents the power and influence to spur change on a global scale held in the major corporations of the world. Depending on our personal stance on each issue and the directions these corporations take, the same scenario can be seen as either good or evil depending on the eyes.
Debate aside - there will always be chaos. Embrace it.
Lady Gaia is the physical manifestation of our living planet. She is Mother Earth.
Lady Gaia’s striped gloves cover the hands of creation. The black and white stripes represent the forces of dark and light, ying and yang, chaos and order which work together to manifest the metamorphasis from simple organism to enlightened being as represented by the butterflies.
Her blowing hair is the branches of evolution. Evolution does not act in a linear motion, but has many branches from its varied roots, and the phases of each branch itself either dies or evolves to ever higher levels of being as represented by the dove. In this, I believe that the more ardently we pursue a higher state of evolving, the sooner we will find universal peace through love and understanding.
As her hair tumbles down the front it transforms into a waterfall that feeds the waters of our origins. In this we see the various forms of life all of which play critical roles in maintaining the ecological balance.
Underneath the dress we see the tree of life growing into Gaia from a seemingly inanimate river rock. However, all objects contain the Energy of Light which is really the only thing that truly exists, giving all life the cooperative potential of co-creation.
The many stones huddled in the background at left represent the billions of people who still see themselves as separate entities, wretched, sinful and fallen. The stones at right are the few who recognize the ancient myths of pre-scientific minds and are starting to move forward realizing that they are themselves part of the Divine, never fallen but always evolving.We are a vital part of the continuing motion of creation.
As a new Santa Fean, Lady Gaia gives me the opportunity to paint my first Santa Fe landscape into the background, but with the purpose of exposing its glorious beauty as merely the radiant flesh of our Mother.
In the late 4th century Jerome is commissioned by the Roman Catholic Church to translate the greek Hebrew Scriptures (Septuagent) and the new Christian canon (New Testament) from greek into Latin - this translation is called The Vulgate. Three passages refer to The Morning Star, the Prince of Dawn, the Bringer of Light - in the book of Isaiah where Isaiah is chastising the King of Babylon, and in 2 Peter and Revelation where it refers to Jesus. We have to remember that in ancient times, people had no concept of cosmology - the Morning Star referred to the planet Venus, which people thought was a literal anthropomorphic entity which lead the sun on its journey across the sky - hence the terms the Prince of Dawn and the Bringer of Light. The Morning Star was then used to denote great people and leaders who brought light upon the land and their people. Today we would use the term “celebrity” which comes from celestial and is why we still call people stars, ie rock stars, movie stars, etc. The term Jerome used to translate was the Light Bringer which in latin translates as Lux/Luxe (light) and Ferre (to bring, where we get the word ferry) - together this word is Lucifer in latin. In 2 Peter, Jesus is referred to as Lucifer
So how did we get the story of Lucifer as the proudful angel who fell from heaven to eternal damnation for the sin of pride? The story belongs to the non-canonical text of The Book of 2 Enoch chapter 29, which dates from 6th century as an attack against the Gnostic sects of Christianity who taught in direct opposition to the Catholic Church.
During this period the Catholic Church now had control of the Constantinian armies and was gaining control of land, money and power. Their primary tool was that of behavioral control which established The Church as God’s chosen mediator between Himself and His wretched, fallen creation deserving of hell fire. Through penance and absolution the Church began it’s rapid rise. The Gnostics, on the other hand taught that mankind is of the Divine Spark of God, made with “God Matter” and therefore needed no mediation but could commune directly with its Creator. This posed a direct threat to the economic structure the church had fought to create for itself. The story in 2 Enoch emerged telling of a beautiful Angel Lucifer (Celebrity) who commits the ultimate sin - that of thinking himself like God. He is therefore cast from Heaven into eternal darkness and damnation along with one third of the angels. This became known as The Sin of Satan and was connected with the Gnostic belief of humanity containing a Divine Spark of God. The story gave reason and justification to the Church’s accusation that the Gnostics where not only guilty of the ultimate heresy, but were in fact those angels cast out with Lucifer and systematically slaughtered. With no one left to challenge its authenticity - this story of Lucifer became the origin story that so many today still take literally.
In this painting, “The Tragic Myth of Luxe Ferre”, we see in the valance above the curtains, the faces of many of the pagan minor deities who became demonized once incorporated into the pantheon of patron saints.
The curtains represent the symbolic image of hell, hand painted by tradition as opposed to actual flames - symbolizing hell as a human-creation. We see Lucifer, the Light Bringer starting to push back the drape which reveals a glimpse of not heaven, but enlightenment from which the many spirits of wisdom or Lucifers burst forth, representing the light bringers of the many spiritual traditions of the world. The dove nearest represents Namaste - Hindu for “May the God of your heart be with you.” Her hairnet represents the covering up of the Light - as we’ve seen in numerous mythologies such as Heracles and Samson where the long flowing hair emanated the power giving rays of the sun. Her red hair is symbolic of the demonizing of those who were left handed and red haired as being filled with the devil and burned at the stake during these dark ages. The small, real flame wings on her back represent the original concept of hell from the Persian Zoroastrian religion which greatly influenced the Hebrews upon their release from Babylonian and Assyrian captivity. It was the Zoroastrian religion that gave the Hebrews the concept of duality - forces of good versus forces of evil, as well as heaven and hell. However, for the Zoroastrians hell was not a pit of eternal damnation but rather a place of purification and transmutation. Punishment was for three days in hell, upon completion you were then cleansed and ascended to sit at the right hand of Ahura Mazda (God). In her flowing dress we find the many sparks of the divine of which the Gnostics taught and have been covered up for millennia now starting to shine anew. Looking down, she is still aware of the fact that her name is chained to the concept of eternal damnation. However, we see in the broken link awareness beginning the process of breaking the chain and releasing the understanding of our divinity.
Gut-torn by the violent insanity of the mantra "God’s Chosen People" and old testament bloodlust mentality of middle eastern tribal sects, I felt it time to bring Coppertop to life - to fill her flesh, not with paint, but with the full empathic emotion of the human condition.
The dark and light hemispheres represent order and chaos, two opposing forces that work together to stimulate higher evolution. They are merged with the three symbols above - the deep red handprint shows the violence between humankind and the dove shows the potential for peace. The open box is free-will, our opportunity to create or destroy - to find a common ground. Her wings are still a background illustration and will not come to life allowing the healer to take flight until the middle box starts to emerge for the better. The text etched in the lighter box simply states, ‘I Am. Thou Art That."
This painting is about the strength that arises from facing fear “head on.”
The wedding gown brings relationships into focus and its blossoming spread signifies the opening up to life that occurs when we water and give light to those relationships.
As her hair tumbles down the front it transforms into a waterfall that feeds the waters of our origins. In this we see the various forms of life all of which play critical roles in maintaining the ecological balance.
Keeping life simple gives us the flexibility to travel light at a moment’s notice, to adjust as a situation dictates change as signified by the ready suitcase.
The butterfly, the symbol of metamorphosis, is always moving toward the light, signifying the natural progression of spiritual evolution which comes only after we free ourselves from the bindings of co-dependence and the material world.
Homage: Gary Kelley
Isis Rising is the flip-side, the duality, of an earlier painting “Waiting For Mr. Right.” WFMR portrays a woman who is solely defined by a man - a woman incapable of self-realization and personal growth outside of co-dependency. Isis Rising is the antithesis. It represents the dawning of a new era of spiritual evolution through the resurrection of the Goddess, the evolution of the new sensory impulse - that of intution and unity.
The Ankh represents eternal life and the roses as exhaust from the transport vehicle of the Goddess represents the blossoming of our spirit nature through numerous incarnations. The suitcase is symbolic of the karmic luggage we carry with us and add to during our spiritual quest as an evolving consciousness through incarnated experiences. The stone pillars are from the Temple of Isis. The four freckles represent the elements earth, water, air and fire. The Star of Isis (Sirius) is greatly beloved because its appearance announced the Innundation of the Nile which betokened renewed wealth and prosperity. This is represented in the tile floor where we see the water bearer pouring into the soil, giving rise to the vine and grape harvest in the coin machine. In the Wedding of Isis/Demeter (Creatrix of the Nile Flood/Grain) to Osiris/Dionysus (god of wine) we see the ancient miracle of Dionysus changing water into wine. This represented the flooding of the Nile which irrigated the land and upon its recession gave rise to the harvest and vine which was cause for much celebration. This 7th century BC festival tradition gained Western attention when adapted by the gospel writer of John as Jesus first miracle.
The adage that states, “a picture paints a thousand words -” was clearly speaking of Mary Mary Quite Contrary. This provocative painting explores the relationship between Mary Magdalene and the Virgin Mary: Lover and Mother, Prostitute and Perpetual Virgin as signified by the early fathers of the Catholic Church.
Interestingly enough, this relationship mirrors the much older Gnostic dictate that describes the “Decent of Sophia” which reflects on the soul journey from perfect being, descending to the earthly plane where an awareness of false self sets in. Temptation through the vehicle of free will is the cause of her fall into the depths of human struggle where she is shown as a prostitute - living on the dark side. Yet it is this dark side that brings the brightness and beauty of her true self to light and she ascends back into the cosmos to be forever joined with her perfection. The ascension of Mary and the restoration of her virginity became dogma in 1950.
Symbolically, the tree represents the motif from the Garden of Eden that led to self-awareness and free will with the snake seen as temptation. The two Marys are adrift floating toward a rebirth as seen in the butterfly. The donkey represents the stubborn weight of dogma, which resists new wisdom and change as it weighs down the spiritual evolution of mankind. Depending on your personal view of this image - the donkey can be seen either as a background image standing onshore that the spirit journey is now bypassing or firmly planted in the center of the boat depicting a literal reading of this dogma as actual fact. The bloody handprints across the habit gown of the virgin, remind us of the millions of souls persecuted and slaughtered in the advancement of religious dogma.
Homage: James Christensen
“Oh death, where is they sting?” These words of the bard give as much solace as any of the psalmist prose. Bumblelina is about possessing pain, owning it, understanding it and making it into what it really is - the glorious cause that affects transformation of the higher order.
Life on this earth as represented by the cocoon shaped group of trees is a plane of metamorphosis from our lower nature toward our true nature - from fearing the unknown to embracing it as an evolving element of self.
Homage: Mark Ryden
This painting is about the presentation of the young southern Debutante, a tradition that dresses up a young impressionable and naive child in the false expectations of parents plastered up against the Plexiglas of social acceptance.
The humble and barren origins are laid up against a game board on which the girl is positioned and maneuvered by her parents till she reaches the drapes that separate the social spheres. Upon presentation we see a scared child decorated in the lawn ornaments of southern landscape beautification, while the mask hides a self-identity that may unfortunately never become known.
A second century Roman known for having the voice of the angels was condemned by the Catholic church for singing the liturgies of which women were not permitted to do. Although she bowed to the churches threats - she was soon accused of heresy for aiding two brothers condemned for burying martyrs who were supposed to lie in open for God to find them easier. Go figure. She was imprisoned and scheduled for execution. Three attemps were made to behead her, noted by the three notches in her neck - each time the executioner suffering a fatal accident prior. Set to burn, when priests came to retrieve her for execution, they found her cell empty with nothing but rose petals strewn across the floor.
The archangel is represented as a stained glass representing both the church that condemned her and the angelic presence that rescued her. The notch in the wall shows the cell’s inability to hold her.
Here we examine the bumpy road of life. No matter how prepared we feel we are to challenge every knock and pothole (the bumper car) we are never really sure of what the journey will bring — signified by the training wheels. The castle represents our goals — we know where we want to end up even though the road isn’t clear how to get there. The butterfly represents the joy and sadness along the path simultaneously rising up and getting flattened and the bouquet stands for the blossoming of spirit — all we have to do is reach for it.
Roch was a French noble who early developed a sympathy for the poor and sick. While on pilgrimage Roch encountered an area afflicted with plague. He stayed to minister to the sick, and affected several miraculous cures, but contracted the plague himself. He walked into a forest to die, but was befriended by a dog. The dog fed him with food stolen from his master’s table, and Roch eventually recovered. Saint Roch’s compassion and loyalty for others regardless of the consequences is exemplified in the very nature of mankind’s truest friend — the dog.
Deeper Thoughts represents a new level of consciousness. In the city background we find the mundane plane, the material world full of its Newtonian concepts of life in separation.
But with the blooming of the flower on her hat we see the emergence of a whole
new vantage point, one that carries us to the top of the mountain and changes our
view forever. We see the dramatic inter-connectivity that pulls everything from the
mountains, valleys, deserts, oceans, busy cities and desperate slums into the body of our own soul. This is the awakening.
We have traditionally viewed an awakening as experiencing a measure of heaven, however, we now know that it also contains a measure of hell as we feel the suffering of those who have been previously excluded in our mindset of separateness.
This is shown in the dress that she wears which is a symbol of all the little lights of
souls that help make up all that is - thus part of the building block of all that we are.
Heaven and hell together illuminate all that can be and all that needs to be done.
They are the measure of evolution.
We often get into relationships with some pretty lofty expectations. And we see in the other — the embodiment of the manifestation of those expectations - the fanciful thread that ties or binds us together. We dress each other in the fabric of our need, he’s her hero rescuer, she’s his fair maiden, and together we decide to take the leap into the unknown.
The wedding gown brings relationships into focus and its blossoming spread signifies the opening up to life that occurs when we water and give light to those relationships.
This leap, though unknown, is not blind for we’ve been through these situational fantasies before and have learned to take a few secret precautions, like gearing ourselves with a parachute cape and helmet or with a pillow on the backside.
This work is about women finally breaking through the glass ceiling of business. The Pontiac represents the male drive (you figure it out), however, it’s now being steered by a woman from the right side signifying the intuitive side of the brain. She drives focused through a male dominated executive branch shown in the phallyc like trees. Behind her is the old vision of women (breasts in the trees), however, she doesn’t sacrifice her feminine sexuality represented by her blouse. The bow shows her softer side tempered by the scorpion tail curl on her forehead
This painting has a very special place in my heart. It was the only painting my beautiful wife Lisa ever posed for. And she did it just before going in for surgery for breast cancer.
The idea for the painting originally was to invoke an emotion, which springs from the loss of beauty or innocence — a final end to an epic image that spurred countless ages worth of fantasies and mythologies. However, it took on a more literal life as Lisa went through the stages of cancer. But beauty is eternal and her battle has made her stronger and more passionate about life and helped me see the enduring truth of mythology and that it can be kept alive and flourish no matter what may come.
They say that youth is wasted on the young but it’s closer to truth to admit that youth is sacrificed by the middle aged on the alters of denial, acceptance and ultimately regret. We blame the “real” world, not for the process of aging, but for the backhand slap of “rationality” played out as a life and death scenario engaging us in a tussle of stamina against whatever forces all preceding generations came up against when they hit thirty. History has shown that those forces have not been defeated and lie in wait for us. Although we have never seen them, we experience them on cue — as a self-fulfilling prophecy — because thought creates reality, not the other way around. Reverse the curse. Tie yourself to the imagination of youth and hang on for the ride of the rest of your life.
The cross is an ancient pagan symbol that dates back to Egypt 1500-2000BC.
It represents the merging of the physical form on the mundane plane (horizontal bar) with that of the true spirit nature (vertical bar) to present us with our unique roles of consciousness (spiritual) evolution.
I’ve coupled those images with a verse from the Priestly text of Genesis 1 to show representation of all life being sacred, stamped with the handprint of the Universal Creative Force many call God.
When mankind realizes the union of the cross, we learn that the little things that we take for granted are actually part of our own self.
It’s about looking for love in all the right places. The problem is that our view seems to be always focused away from it. Closing ourselves off, painting on the happy face - for what and for whom? Love is inside all that we paint over. Inside ourselves, inside others, inside all of nature. No matter where we are, we’re always in the right place for finding love - we just keep staring out the window.
Homage: Joe Sorren
Waiting For Mr. Right uses the rocket ship as a metaphor for the expectations that many of us hold over a relationship. In her case, it’s going to take a little money to feed the ride and the suitcase represents the baggage we bring into each new relationship. The travel stickers are all the relationships we’ve been through and the memories of those travels and travails that we bring with us for the rest of our lives.
As the bard said - “all the world’s a stage” - I use the theater to represent the passion play of life. We’re often so afraid of watching this alone, that until we have someone with which to mirror ourselves - this play is currently closed for the season.
I have always been a fan of the vampire. Not the typical blood sucking Dracula, but the life force caught in an evolutionary cycle above the limits of natural forces that currently limit human physicality and below the enlightened state of at-one-ment.
In this state, the lines of morality and ethics blur as they merge with the power of being post human and the heart wrenching state of perpetual alienation.
I don’t view the vampire as a demon or the damned. I view them as a higher branch on the evolutionary tree trying to deal with the circumstances all creation deals with - the challenge of staying alive while finding purpose.
Forget Dracula, Lestat is the ultimate vampire. I try to portray, in this painting, the beauty of the character as well as the danger lurking within the most apt seduction.